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Her eyes have grown darker; her mouth is stern. To Rodney, who is watching her anxiously, she seems positively transformed. What a terrible power lies within her slight frame to feel both good and evil! What sad days may rest in store for this girl, whose face can whiten at a passing grievance, and whose hands can tremble at a woe in which only a dependant is concerned! Both sorrow and joy must be to her as giants, strong to raise or lower her to highest elevations or lowest depths.,

"Yes, I am Mrs. Rodney," says Mona, feeling some pride in her wedded name, in spite of the fact that two whole months have gone by since first she heard it. At this question, though, as coming from a stranger, she recoils a little within herself, and gathers up her gown more closely with a gesture impossible to misunderstand.,

"Troth I am, sir. I see him goin' wid me own two eyes not an hour ago, in the gig an' the white horse, wid the wan eye an' the loose tail,—that looks for all the world as if it was screwed on to him. An' 'tisn't Norry is callin' for him nayther (though I don't say but she'll be on the way), but Larry Moloney the sweep. 'Tis a stitch he got this morning, an' he's gone intirely this time, the people say. An' more's the pity too, for a dacent sowl he was, an' more nor a mortial sweep.",

"Now I hope you will feel less pain," she says, with modest triumph.

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"It will strengthen you," he says, persuasively.,

To gain Lady Rodney's friendship is a more difficult thing than Mona in her ignorance had imagined, and she is determined to be ice itself to her poor little guest. As for her love, when first Mona's eyes lit upon her she abandoned all hope of ever gaining that.,

Mona is, however, by no means disconcerted; she lifts her calm eyes to Nolly's, and answers him without even a blush.,

As for the Australian, he has grown pale indeed, but is quite self-possessed, and the usual insolent line round his mouth has deepened. The dogs have by no means relaxed their vigil, but still crouch before him, ready for their deadly spring at any moment. It is a picture, almost a lifeless one, so motionless are all those that help to form it. The fading fire, the brilliant lamp, the open window with the sullen night beyond, Paul Rodney standing upon the hearthrug with folded arms, his dark insolent face lighted up with the excitement of what is yet to come, gazing defiantly at his cousin, who is staring back at him, pale but determined. And then Mona, in her soft white gown, somewhat in the foreground, with one arm (from which the loose sleeve of the dressing-gown has fallen back, leaving the fair rounded flesh to be seen) thrown around her husband's neck, is watching Rodney with an expression on her face that is half haughtiness, half nervous dread. Her hair has loosened, and is rippling over her shoulders, and down far below her waist; with her disengaged hand she is holding it back from her ear, hardly knowing how picturesque and striking is her attitude, and how it betrays each perfect curve of her lovely figure.